Gantry beautiful, scenic, spring graced. Since ancient times, color was included in Luoyang, Longmen eight wonders of the highest in the Tang Dynasty poet once said: "Luo are suburbs, the landscape of victory, the first gantry Yan." Longmen Grottoes on the cut in the cliff between the mountains and rivers. It began cutting in from the Northern Wei Ping Cheng (now Datong City, Shanxi) Qianduluoyang around. Emperor Xiaowen was deeply biased towards the Northern States is not conducive to the rule, and located in central China's Luoyang natural conditions, so the capital Luoyang in AD 493, and opened a prelude to construction of the Longmen Grottoes. Longmen Grottoes through the Eastern Wei, Western Wei, Northern Qi Dynasty, Northern Zhou, Sui, Tang and Song and other North Korea, carving off up to 400 years, including the Northern Wei and Tang Dynasty, 140 years of massive construction, so all the caves in the gantry, the Northern Wei caves about 30%, 60% of the Tang Dynasty, only about 10% of other dynasties. According to statistics, the two sides of mountains of existing Kukan 2345, Block 70 pagodas. Longmen Grottoes is the ancient Chinese inscriptions largest one, with ancient monuments known, there are stone inscriptions over 2860 pieces, including the prestigious Dragon twenty products and Chu Sui-liang's Yique shrines of the monument, are Weibei body and the Lianhua Tang Kai's model, called the Chinese art of calligraphy superior. Dragon 11 million statue statues whole mountain, the largest Buddha statues Losana, through high 17.14 meters, 4 meters high head, ear length 1.9 m; smallest Buddha in the Lotus Cave, each only 2 cm, called dermabrasion.
Longmen Grottoes is the ancient royal statues made ready the place where most, it is a manifestation of imperial will and behavior. Northern Wei and Tang Dynasty statues reflect the very different style of the times. Northern Wei statues in the Yungang Grotto here lost rugged, majestic, vigorous features, and breath of life gradually thicken towards lively, graceful, gentle. The Northern Wei statues, long, thin face, thin shoulders, chest, straight drapery carving knife with straight, strong fresh simplicity. Northern Wei Dynasty people advocating thin is beautiful, so Buddhist carvings statues also show bone seek clear as type style. The Tang Dynasty, people like the fat of the United States, so the Tang Dynasty Buddha's face rounded, generous shoulders, chest uplift, drapery carving knife with a round, natural and smooth. Longmen Grottoes in the Tang Dynasty statues inherited the fine traditions of the Northern Wei Dynasty, but also learn from the Han Chinese culture, creating a lively and vigorous style of realistic natural landscape, reaching the pinnacle of the art of Buddhist carvings.
Longmen Grottoes is the history of calligraphy art treasures. Dragon twenty well-known calligraphy quality products, the offspring Beituo connoisseurs from the Longmen Grottoes in mind the many stone statues questions culled calligraphy Need. These inscriptions not only records the vow figure as motivation, purpose, phases of archaeological caves also provide a basis for dating. Kang Qing Dynasty scholar to write the whole community has strongly advocated to use Weibei body, also praised Weibei ten United States, such as: strokes jumping, structure the heavens, lush flesh and blood and so on. Until now, Weibei body also as a banner, decoration with the word widely used. Thus, twenty items in calligraphy occupies a pivotal position.
Longmen Grottoes Buddhist culture, artistic expression, but it also reflects the political, economic and cultural fashion. To retain a large number of caves in religion, art, architecture, calligraphy, music, clothing, medicine and other aspects of physical data, therefore, it is a large stone Museum of Art.
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